heavyweight 180 gram double vinyl in gatefold sleeve with download code included.

2014 live album from tame impala.

special backstockfeature !! 2nd part with exclusive tracks by christina burkhardt & federico molinari , ethyl & huxley , justin drake & kevin griffiths , bearweasel

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

kicking off this new aussie label after releases on konstructure, proper trax, mystical disco. (a) combines warm synth lines w/90s inspired drum sequencing, & the flip, provides us with a hard hitting techno trip.

following their acclaimed *fuck off get free we pour light on everything* released in january, thee silver mt. zion memorial orchestra dust off an old chesnut from their 2005 album horses in the sky and coat it in glitter and shards of glass, not remixes really, but brand new recordings that use set-closing live favourite -hang on to each other- as a launching point for some rather glorious dancefloor excursions. the vinyl ep includes a download code.

being around since may 2009, the greek imprint, blind stitch , now finds itself releasing a triple lp by label- head bengoa. a long story of sound and rhythmic communication can be found on this album, entitled -what you give-. this record features deep grooves, spiced with uplifting melodic crescendos and occasional collaborations, leaving a release full of impressions. laid back, groovy and mesmerizing sounds, take you through the narrative of this lp. with smoothly arranged soundscapes and old school synth vibes the record motivates listeners to move and get lost in the sounds. a productive output from bengoa, with focus on molding his own personal sound, and that of the alexandroupoli- based label. 3x12- of delicious deep house grooves, spiked with occasional vocal work, and reverberating glass like rhythmic percussions.

red axes is niv arzi and dori sadovnik, two young men who have always lived in tel-aviv and have been making music together since the noughties. ballad of the ice is their debut album. their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. more than a summary, this lp is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

three timeless tracks with bass to massage your ears and melodies to warm your heart.

after having spent most of his time with house to the people voiron decided to dedicate himself to his solo project. being a fan of the braindance scene and the reflex & warp records of the early years, voiron tries to follow the footprints of his idols (afx, dopplerefekt, lfo, global gon). all these influences lead him to produce an electronic music uninhibited from zero to one milliard bpm.this is with the support of artists like photonz (one eyed jacks) and meetings with his cyber friends minimum syndicat, le matin, daxyl, glass figure - that voiron was encouraged to produce music 2 years ago. releasing his last ep on concrete music and the following one on cracki records in april, you will have difficulty avoiding him and his tb clone in a near future

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

on remix duty, soul clap transforms the tempo and vibe into a dance groove guaranteed to get the juices flowing like a glass of funky cold medina.

disruption and interference arent words you ordinarily associate with pop or dance music, but planningtorock is on a mission to unseat all norms. on her new album all loves legal, she leaves you in no doubt as to the seriousness of her vision of transnational gender equality. surprisingly, given that western dance music is born out of black, queer music, it rarely touches upon these themes, but all loves legal is a refreshingly direct statement of political intent

14 new tracks of crunchy, greasy, punky, bluesy, gutsy rock n roll on heavyweight vinyl in gatefold sleeve.

mix the verspielheit of mgmt, the darkness at zola jesus, the groove of the whitest boy alive put atop of morricones or calexicos shimmering desert landscapes and around that certain sexyness and lasciviciousness that remind on the chromatics or glass candys of this world. this is the building, a trio from hamburg. based around the fabled drummer sven elsner (ex tigerbeat), as well as writer and singer daniel chun and pianist and second lead vocalist tina kaempe.

half speed remastered for optimum audiophile reproduction. pressed on virgin 180 gram heavyweight vinyl includes download code. includes an exclusive four tet cover version of jimi hendrix castles made of sand plus kieran hebdens hand picked favourite late night musical gems including madvillion, tortoise, koushik, fairport convention, terry riley, manfred man and many more

statt einer kollektion ungleicher kuenstler erscheint after dark 2 wie eine produktion >johnny jewel & friends present<..die den idib sound auf heutigen stand bringt, ohne dabei den energischen neon-charme einzubuessen, der weiterhin ein immens attraktiver modus dieses labels bleibt

comes with a magazine, a cult membership card, and a hand numbered ticket to the attending experimental theater performance. with la missions second missive, the cult sings you some more songs about fucking. and revolution. humanity is a ship we are all sailing. tough, slowly developing house with weird unintelligible vocals, a philip glass-ish short interlude, and then some ridiculously slow and syrupy 100bpm deepness round out this little package. made with you in mind. thanks for listening.

the seventh instalment in lo sheas series of 10 vinyl only releases on seaghdha. you know by now how this goes - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house. vasquez leads the charge here, less about the legendary captain of the soundfactory, and more the soundtrack to a drug deal gone bad in downtown miami. like her flails around a bowel troubling low end and crisp snare double act, piling on the pressure with an unrelenting groove and some deftly applied distortion. elsewhere 365247 is in more familiar lo shea / seaghdha territory, with some expertly manipulated, atmospheric sampling laid over a spare, shuffle-happy herbertesque workout. finally flash gives us a glimpse into sleepless basement, inhabited by addled humanoids, playing glass bottles.

limited edition clear vinyl, cd version included.

first up is dankles *isabigting*. dankle has been steadily making a name for himself over the past couple of years, as part of offmenut records, for his solo production and as one half of phatworld, alongside tich from the squire of gothos. *isabigting* is straight up mutant bassline, with his warped, glass-like bass and hip-hop vocal.

legowelt brings us two tracks with his trademark dancefloor drums punching through analog layers of melody and atmosphere. willie burns takes us on a hypnotic journey through the grooving crunchiness of a lost underground new york and then deep into the stars. like lovers separated by prison glass, these tracks come from very different places but they all serenade you to the dancefloor and take you into a maze of hazy visions.

another extra-terrestrial movement from space cadets. australian artist nether returns with three tracks of understated and on point dub-influenced electronica. the much sought after glacial dub finally finds its way onto wax, with the 8 minute long roller proving one of the labels most soundsystem orientated tracks so far and a firm favourite with fans.
a side neptune builds with a tuned delicacy, layers of reverb hosting a restrained beat alongside melancholic synth work. sea of glass typifies nethers atmosphere driven sound, furthering his explorations into deep sonic space initiated on his previous release for space cadets.
original sleeve artwork is once again contributed by us illustrator theo ellsworth. all vinyl pressed to extra heavy 180g.

compilation/reissue of rare 4 song ep by near paris released in 1985 + 7 unreleased songs recorded during the same period

a top shelf 2 tracker in his signature style: on a - glass-like, ring modulated tones are paired with a raw, punchy kick and liquid chords. on b - freaky, robotic & futuristic, bubbles & builds into a sonic journey for educated after-hours dancefloors.

after the unanimous global acclaim of glass eights (dial lp 22), john roberts returns with fences, his second full length offering on hamburgs dial records. from elegantly dusted chamber pop and semi-psychedelic acoustic musings to turgid orchestral dance floor fillers, roberts creates a beautifully collaged symphony of recorded violins, cellos, cracked guitars, detuned pianos, faded samples, broken drum machines and manipulated answering machine cassettes.

alan fitzpatrick yet again doesnt disappoint with his remix of riots in london that uses delayed stabs and a rolling bass line to construct another dark peak time player. jerome sydenhams carbon dub of smoke and mirrors is heavily dynamic and uses a piano chord andthe original vocal to create an energetic vibe. cari lekebusch remix of bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track.

4 heavy atmo bias cuts by myles serge, andrea, thigpen and jonas kopp.

rustie returns with a release on numbers. triadzz & slasherr together make up a double a side single, his first record since the game changing intensity of his award-winning glass swords album on warp in 2011.

reise ins herz der finsternis: zweites album des kreidler-schlagzeugers.
pressung auf 180 gramm vinyl, inklusive cd-version des albums.

in recent years spanish producer baldo has built a great style and following in the modern house scene, catching the attention of andrade who has recruited him for this fantastic new five tracker ep called far away. with a well developed sensitivity, baldo has featured a sensual combination of house and susceptible feelings to create an outstanding and very special cocktail. three crisply produced tracks likely to spoil the senses with delicate melodies and bass-driven sound. the music speaks for itself. once again we welcome our friends on the remixes. hold youth main man, le loup, the protagonist of the paris scene and known for his releases for wolf+lamb, eklo and fragil, re-creates a dubby version of in the crowd, setting an impressive atmosphere and deeper experience.

finally on vinyl! the project between jay haze and lorenzo dada called echo park . really beautiful place in los angeles where lorenzo dada make this ep.

5 volumes ago, blackdisco crew introduced abel to the scene. now he is back with 4 more mature cuts, full of emotion. the tracks span a world of deep, sexy and euphoric vibrations. enjoy with a nice glass of wine, as an accompaniment to a canyon drive, or have a go on a dancefloor of discerning tastes. no repress.

>blurry< runs at 133bpm allowing it to sit neatly between dubstep tempo and the increasingly popular 125-130 bpm bass / house scene that has been developing in the uk over the last couple of years. taking things down an ongy-bongy path, this rhythm provides the soundtrack to a hunter chasing his prey through a humid jungle landscape, with fast weaving beats charged heavy by the deadly subs. the heat is on.
>spearhead< sees roska making a rare 140bpm trip, taking this rhythmical excursion neatly into dubstep tempo territory, creating an original cut which sits in its own world of tribal grime. the bassline pounds heavy, eventually rising upward before suddenly plummeting back down to the murky depths from where it came, and back round again. dis-hyeer quality dubstep music produced pon the other side of the looking glass.

the miracles club are producer rafael fauria, singer-songwriter honey owens and dancer ryan boyle from portland, oregon. since 2008 the group embarked on a mission spreading the joys of classic dance music vibes. their style draws from an endless palette including early new york & chicago house, detroit techno, and psychedelic pop. on stage the miracles club have manifested live alongside acts like larry heard, glass candy, gang gang dance, mikeq, kim ann foxman, blondes, and hunee.

italian duo macromism has lately been making waves in the scene with their latest releases and they land now on be as one together with their long time friend dj kool dek, who already appeared on the labels tools for school vol.3 with take the rhythm ep the trio push things forward and show their versatility in the production room. the a-side hosts 2 cuts of proper groovy tech-house as you would expected from this collaboration. the b-side goes instead deeper and shows a side of the trio that yet was to explore. a 4 tracks ep that will surely find space in many djs bags.

brand new seahawks album available on double vinyl with gatefold sleeve.

the ep kicks off with empire of dust, an epic and brooding electro beast with powerful, mechanoid drumwork and majestic synth vistas that manages to be euphoric yet dark and grounded at the same time. it was this track whose intent later gave rise to the shape and form of the other 3 tracks on the empires ep.

after releases on hypercolour and its digital off shoot, tom demac now makes the step up to the glass table imprint with a far ranging three track ep that is arguably his finest to date. never one to fall into the usual tried and tested traps, demacs sound is as idiosyncratic as the man who makes it, drawing on myriad influences and getting the best out of his fine collection of studio of gear.

limitiertes doppel-vinyl, weiß & blau marmoriert, inklusive cd-version des albums.
nachdem der albumtrack >henrietta< bereits seit ende mai im internet kursiert und im radio rotiert, erscheint nun das neue werk der brooklyner electro-pop-psychedeliker. und das neue album bleibt nicht hinter den erwartungen zurück! >fragrant world< betreibt genre-mashing mit einem breiten spektrum an quellen. psychedelic pop, indie dance, r n b, digi-funk, exotische synth-experimente, gespenstisch surrende, rückwärts laufende orgeln, ueberschwaengliche baesse. >i wanted to make a record that was legitimately, to use a bad word, funky<, erzählte chris keating zuletzt dem under the radar-magazin.und selbst in den dunkelsten momenten dieser musik behält er recht.mit >fragrant world< liefern uns yeasayer ein fantastisches follow-up zu >odd blood<!

this is the second track taken from lewis parkers forthcoming album the glass ceiling. walking on a razor part 1 finds lewis demonstrating his skills on the mic over a raw, hard beat with those classic sounding lewis parker drums. meanwhile, on walking on a razor part 2, lewis called in two legends of the game, sadat x & shabaam sahdeeq, to lay two hot verses in among his own. this extended 12inch also includes two lewis parker remixes, plus instrumentals to all the tracks and an accapella. limited pressing so act fast.

tomas barfod is fascinated with the idyllic wasteland, unveiling >salton sea<, an lp on the friends of friends imprint that draws from the concept of urban decay. the producer and drummer of the popular danish group whomadewho, with a history of solo and collaborative releases for get physical, turbo, gomma, and kompakt, barfods latest full-length balances contrasts. at times bright with delicate pop melodies, >salton sea< boldly submerges into dark, morose rhythms, juxtaposing the graceful and desolate characteristics of the californian lakebed the album shares its name with.

limited to 200 copies ww

next michel cleis masterpiece , this time on dj kozes pampa records... >mir a nero< begins with a steady, upbeat kick underlying a simple piano arpeggio - like if philip glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. by the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the tracks overall organic feel, leading into the playful piano chords and colombian vocal hook. simply put, this is latin house with that anomalous pampa records swagger, drenched with flavor like sangria-soaked mango. flip that baby over and you get >amaranthus<, named after the famed flower that represents immortality. this piece stands as a color-negative of >mir a nero<, an unwavering stomp with just shadows of the piano sample heard earlier. freeze-dried rather than sun-ripened, >amaranthus< is a dubby, more technofied counterpart to the a-side, crafted for deeper and darker moments on the dancefloor.

this cheeky bootleg comes from a well know viking, who has released on labels such as kozes pampa records and hypercolour imprint, glass table. 4 tracks of super-fun, tongue-in-cheek house party classics, delivered on white vinyl.

coloured 2x12 pressing - one light and one dark green marbled 12 inch vinyl.
asc, one of the main musicians behind the autonomic sound presents his new album >out of sync<, the follow up to 2010s critically acclaimed >nothing is certain< on instra:mentals non plus label.

a delicious six-tracker from our man from a.n.t.w.e.r.p. featuring remixes from fulgeance, cubic animal and joash and even a smashing house tune by the man himself. tall glass of water kbonus takes it slow this time with >dance baby dance<, a ridiculously groovy slow jam featuring vocals by jtothec, destined to get things shaking around the barbie at garden parties around the globe this summer. fellow antwerp producer cubic animal keeps the tempo but adds some funky abstraction, while french beatmaker fulgeance cuts some minutes, toughens up the beat and throws in some arcade game sounds. british compost darling joash then jazzes up the tune with some fine drumming and double bass. bonus track >strength< is a mean house stomper for the wee small hours of the morning. now thats what we call a six-pack.